Side A’s synth-heavy cues really capture that creepy small-town vibe Chattaway was known for. It’s cool to hear how his arranging background with Maynard Ferguson shows through in the brass moments. Solid pressing, no surface noise.
Robert C.★★★★★
The orchestral tension during the werewolf transformation scene really comes through on this pressing, way more detail than I expected from an ‘80s score. Side two’s deep bass notes are clean without any distortion.
Amelia★★★★★
The vinyl itself is dead quiet between tracks, which lets the creepy synth textures really breathe. Side B with the werewolf attack scene cues has some surprisingly aggressive low-end that thumps through my setup. Definitely worth grabbing if you’re into horror scores from that era.