寺田克也：真實尺寸

The black marker pieces finally get the showcase they deserve, and the paper quality makes those heavy ink strokes pop off every page. I’ve flipped through it three times already and keep noticing new details in the linework.

It's a huge, satisfying brick of a book—the black marker pieces really pop against the matte pages, and the range of exhibitions covered makes it feel like you're walking through his shows at home. The page count alone is worth the price for any fan of his linework.

The black marker work reproduces so crisply you can almost see the pressure changes in each stroke, which matters a lot for this kind of collected exhibition art. It's hefty enough to feel like a definitive archive, and I've already flipped through it twice since it arrived.